A VIDEO

Unfortunately, Bob Godfrey Films nuked the video I’m writing about here, literally halfway through the time I was writing this. So I can’t share it with you to accompany this post. Sorry. I’ve replaced it with a BBC documentary instead.


I was saddened today to hear of the death of Bob Godfrey, a marvellous talent of British animation.


As a result, I watched this again - Great, his 1975 Oscar-winning 26-minute-long comedic musical documentary about the life of the magnificent Victorian engineer Isambard Kingdom Brunel. It was the first time I’d seen it since I was a child, and only now do I recognize what a remarkable piece of work it is.


As well as being witty and peculiarly bawdy, in a typically British, 1970s way - the lyrics of the song about Brunel’s hat are pure innuendo, a fact that was lost on my much younger self - it contains numerous nods to the work of other cartoonists and animators as well. The title sequence is pure Gilliam; the strobing “NO” in the Clifton Suspension Bridge song is like Heinz Edelmann’s work on Yellow Submarine; the couple in the car that gets struck by lightning and the “Railway Maniac” are Robert Crumb. In addition to that, close to the end there’s a brief sequence featuring a rotating wireframe computer graphics model of Brunel’s vast steam ship, the SS Great Eastern. This is one of the very earliest uses of computer animation that I’m aware of.


Correction: If anything, it looks like Gilliam was following in Godfrey’s footsteps. Take a look at Do It Yourself Cartoon Kit, from 1961.

A VIDEO

“Who are cycle lanes for?”


In this short film, Olympic gold medal-winning cyclist Chris Boardman demonstrates what typical on-road facilities for cyclists look like in this country.


We need change at the most fundamental level.

A VIDEO

Byt (The Flat), Jan Švankmajer, 1968.


In this early film by Švankmajer, which I’d never seen until just now, a man encounters a series of comically surreal events in a flat, where nothing seems to work the way that it should.


Fans of Švankmajer will recognize the score for this film, by Švankmajer’s frequent collaborator Zdeněk Liška, as having been reused by the Brothers Quay for their 1984 tribute piece, The Cabinet of Jan Švankmajer.

A VIDEO

the-iridescence:

This digital project by Paris-based photographer Thierry Cohen is an imaginative tale about how urban landscapes might appear if we turned out all of the lights. In a big city glowing with street lamps, store signs, car headlights, and rows of illuminated apartment buildings, it’s almost impossible to see the stars in the sky. One project review says, “Atmospheric and light pollution combine to make looking into the urban sky like looking past bright headlights while driving.”

To bring a sense of nature back into these environments, Cohen has taken a bit of a scientific approach. He travels to places free from light pollution and captures the skies that rotate on the same axis as the urban skylines. Those same skies that were at some point visible above the cities are then superimposed into the darkened cityscapes.

The result is Darkened Cities, Cohen’s project in which cold, dark, and desolate cityscapes sit below these atmospheric wonders overhead. In a sense, Cohen is bringing a forgotten nature back into these places. His darkened landscapes are a frightening visual of what it might look like if a city had to be completely shut down. His images are a reminder of the magical beauty of nature and through this project, he encourages viewers to take a step back from the hustle and bustle of everyday life and to appreciate—most importantly, not take for granted—the natural world around us.

A QUOTE

IAE has a distinctive lexicon: aporia, radically, space, proposition, biopolitical, tension, transversal, autonomy. An artist’s work inevitably interrogates, questions, encodes, transforms, subverts, imbricates, displaces—though often it doesn’t do these things so much as it serves to, functions to, or seems to (or might seem to) do these things. IAE rebukes English for its lack of nouns: Visual becomes visuality, global becomes globality, potential becomes potentiality, experience becomes … experiencability.

A VIDEO

Frank Quitely is an amazing artist - even if he does have a thing for drawing HUGE CHINS, for some reason.

I think I can see some Moebius influence in these pencil sketches - especially the one of Flex Mentallo, bottom right.

A VIDEO

The amazing sleight-of-hand skills of French magician Yann Frisch.

A VIDEO

David Byrne on Talking Heads, rules for making music, and collaborations.

A VIDEO

It’s been a long, long time since I last posted - oops. Going to try picking it up again.


In 1882, a Hungarian pianist called Paul von Jankó designed a new kind of piano keyboard, the Jankó keyboard, with four rows of keys, allowing for greater reach and simplified fingering. Here’s a video. Not only is it an excellent demonstration of the way it works, it features a blindingly talented piano player.

A VIDEO

Another bit of Moebius: here’s a recording of him in action drawing a piece. If only more of the greats could have been captured in this way; I’d give my left arm to see something like this for Jack Kirby.

A VIDEO

The Singing House is an analog “drone synth” which is completely modulated by the weather.

A VIDEO

“The Last Supper”, a marvellous animatronic sculpture by Giles Walker of figures in a gloomy, candle-lit room, talking, smoking, swearing and praying around a table littered with tiny figures with bird skull heads. Read an interview with the artist, with photographs of the piece, at The Creators Project.